I have extensive experience across a wide range of genres, including branded content, features, observational documentaries, factual entertainment, specialist factual, crime, studio, cookery, archive programming and online productions. My credits span all major UK broadcasters, including BBC One, BBC Two, BBC Three, ITV, Channel 4, Channel 5, UKTV,... Read More

I have extensive experience across a wide range of genres, including branded content, features, observational documentaries, factual entertainment, specialist factual, crime, studio, cookery, archive programming and online productions. My credits span all major UK broadcasters, including BBC One, BBC Two, BBC Three, ITV, Channel 4, Channel 5, UKTV, Discovery Network, A&E Network and All4. My background includes international filming, sourcing fixers, arranging carnets and visas, securing filming permissions, location finding and managing high‑risk shoots. I have overseen international COVID protocols, worked with children (including chaperones and licensing), filmed with celebrities and agents, and managed access and compliance for vulnerable contributors. I am experienced in psychological assessments, DBS and background checks, sub judice considerations, and studio productions both with and without audiences. I have negotiated rates and deals with crew, graphic companies, locations, agents, and archive suppliers, and have managed third‑party licensing, archive declarations, reconstruction shoots, development budgets, and international reversions. My work with the MET Police has included covert and overt filming, creating protocols aligned with broadcaster requirements, and delivering complex projects against tight deadlines and budgets. I am also a trained COVID Supervisor. Alongside my 20 years as a Line Producer in unscripted television, I have worked as a Production Executive at a podcast and social media management agency,  Joy Peddlers Studios, where I managed podcast studio bookings and invoicing, organised both celebrity and non‑celebrity social media shoots, and monitored social media performance and trends across TikTok, Facebook, YouTube, Acast and Instagram. I oversaw insurance and risk assessments, contributed to and maintained the company's financials, supported financial forecasting, and generated cost-saving ideas to streamline operations. I also created budgets for new business opportunities and managed contracts, staffing, logistics, operational systems and risk management across multiple productions and clients. I also participated in the MAMA Youth Mentor Project (2021/2022), mentoring an emerging talent for over six months, an experience I found incredibly rewarding. Read Less