I'm a Junior Editor, Assistant Editor, Edit Assistant and Sizzle Editor with 7+ years of broadcast/ digital experience across documentary, factual, and natural history television. I've cut VT's and sequences for longform, digital shorts for BBC and other clients, and a wide range of development sizzles at Plimsoll Productions and True To Nature, he...
Read MoreI'm a Junior Editor, Assistant Editor, Edit Assistant and Sizzle Editor with 7+ years of broadcast/ digital experience across documentary, factual, and natural history television. I've cut VT's and sequences for longform, digital shorts for BBC and other clients, and a wide range of development sizzles at Plimsoll Productions and True To Nature, helping to secure multiple commissions. Working across both short and long-form formats has made me fast, adaptable, and confident, with a strong sense of storytelling, rhythm, and structure.
On the EA side, I've worked across end-to-end post production — from ingest, syncing, and media management through to VFX turnovers, picture locks and end of edits. On longform I've handed over to post houses for grade and dub; on digital, broadcast and podcast projects I've seen work through to final delivery. This breadth has given me a clear understanding of what editors need from a great assistant, and how to keep a production running smoothly at every stage.
Most recently I worked as editor on two long-form narrative art history podcasts for HENI, managing end-to-end post production from filming and ingest through to audio mix and delivery. Prior to that I was Junior Editor and Edit Assistant on an unreleased feature documentary about the illegal exotic pet trade in war-torn Ukraine, working closely with the director and exec producer throughout the offline. Cut sequences and provided editorial support through to picture lock, prepared the end of edit and handover documentation, and delivered to Films at 59 for final mix and grade. I've also operated second camera on multiple shoots, which has given me a useful perspective on both sides of production.
My broadcast credits include Springwatch (BAFTA), One Zoo Three S2–S5 (Broadcast Digital Award), and OZT Goes Wild, all for BBC. I've also supported on productions including Prehistoric Planet (Apple TV+) and Predator vs Prey (Nat Geo/ITV Studios). I'm proficient in Adobe Premiere (including Productions) and Avid, and have experience handling large volumes of multi-format footage across high-volume, fast-turnaround runs.
I'm genuinely passionate about documentary and factual storytelling and always keen to connect with new collaborators and production companies. Always happy to hear about editorial or EA roles.
Please also find my CV on my page for reference.
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