Methodical and detail-oriented post production specialist with extensive experience in natural history, short form content and traditional broadcast from an edit assistant and technical management position. 

Adept at managing the intricacies of post-production workflows and supporting production needs, most recently as Post Manager ... Read More

Methodical and detail-oriented post production specialist with extensive experience in natural history, short form content and traditional broadcast from an edit assistant and technical management position. 

Adept at managing the intricacies of post-production workflows and supporting production needs, most recently as Post Manager for high end natural history programs at Wild Space. I am passionate about post production due to my love of editing, I stradle the technical and organisational aspects of our industry but particularly feel it is important to stay connected to the creative side which is integral in the production of high end content. 

I enjoy the technical side but also harbour aims of becoming an established editor. 

After studying Film and Broadcast in London, I started working in factual television for several different London based post facilities and as an edit assistant, working in current affairs and factual entertainment. My most enjoyable role was working as assistant editor on The Disappearance of Madeleine McCann, the closeness of the team was a joy and the scale of the story was an interesting challenge to delicately portray.

After moving to Bristol in 2019, fortunately before the pandemic, I have enjoyed working on natural history shows including Our Living World and Our Oceans. Initially as Workflow Specialist in a facility, then as a Post Manager at Wild Space. I have seen first hand the techincal requirements of delivering the highest production standards within the factual sector. 
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