Story Producer specialising in observational and access-led documentaries, having recently stepped up after four years as an Assistant Producer. Highly skilled in story-finding, securing difficult access and building trusting relationships with contributors for filming. I am currently working for Arrow Media as a Story Producer on a new obs-doc for... Read More

Story Producer specialising in observational and access-led documentaries, having recently stepped up after four years as an Assistant Producer. Highly skilled in story-finding, securing difficult access and building trusting relationships with contributors for filming. I am currently working for Arrow Media as a Story Producer on a new obs-doc format.

Prior to this, I was working as an Edit Assistant Producer for Lime Pictures, on their lastest series of Geordie Shore. Responsibilities included sourcing and clearing archive footage, creating clips and sequences in the Avid. I was also in charge of music, sourcing music tracks for both UK and International versions of each episode.

I have previously worked as a Senior Researcher for Arrow Media on their eighth series of American Monster. Responsibilities included gaining difficult access to contributors through social media outreach, conducting phone chats and doing extensive background checks. Throughout filming blocks, I supported the PD's during IV shoots, where I worked extremely closely with vulnerable contributors.

Before working for Arrow Media, I worked for Lime pictures on Geordie Shore: The Reunion. I started as a Researcher and moved up to an AP for the final three episodes. Responsibilities included supporting the Series Producers within the edit, managing the editors within the dub and making executive, creative music decisions for the episodes. 

I have also previously worked for ITV's Potato TV, starting as a 3rd AD and moving up to a Researcher. Other programmes I have worked on before include League of Their Own and Sunday Brunch, where responsibilities included looking after high profile talent, supporting specific teams such as pre-titles, and driving transit vans to shooting locations.

After finishing my contract in August 2023, I will be looking for my next Assistant Producer role where I can feel creatively challenged and able to propel myself further into the industry. Read Less