BAFTA-winning offline video editor with 13+ years of experience in documentary, branded content, broadcast and commercials. Fast with accomplished storytelling skills and I bring a visual flair to whatever I'm working on.

Recent work includes the BAFTA-winning documentary Hustl... Read More

BAFTA-winning offline video editor with 13+ years of experience in documentary, branded content, broadcast and commercials. Fast with accomplished storytelling skills and I bring a visual flair to whatever I'm working on.

Recent work includes the BAFTA-winning documentary Hustle & Run (Just So / C4) which won Best Short Form at the BAFTAs 2026 and won Best Documentary (60 mins and under) at the Broadcast Sport Awards 2025. It was broadcast on Channel 4 as part of the 2025 Crufts coverage. I also edited the feature rugby documentary England, Meet England: A Red Roses Story (SBX/O2) which was broadcast on ITV4 in spring 2026. Other recent work includes 512 Hours with Marina Abramovic, about the pioneering performance artist, which was broadcast on Sky Arts, as well as CBeebies series I Can Do It You Can Too and the Snap Originals series A Fighting Chance with Anthony Joshua.

I’ve worked on a variety of commercial content for clients including Google, Brompton Bikes and Hugo Boss as well as branded entertainment for Lego, 02 and MTV. I have a track record of working on sports content, including documentaries, podcasts and socials and have also cut a lot of child-centred and education films, including for CBeebies, Tate, and The Open University.

I have an eclectic CV and I’m able to get the measure of whatever project I’m working on. I really love the collaborative work that goes into crafting a story in the edit but equally I am very confident working independently to get a film to an assembly or rough cut stage. I have an eye and ear for humour and humanity in rushes which I complement with a strong sense of timing, economy and elegance and a talent for a music-driven edit. I like to root out idiosyncratic and compelling moments that conjure a lasting impact on the viewer. The thrill of placing two shots together on a timeline to see what happens never fades, no matter what the project is. It’s my favourite thing to do and I edit footage most days, even on my days off. In my spare time I make short experimental films and documentaries about landscape and place.

I work on Adobe Premiere Pro and Avid Media Composer, and sometimes use Adobe After Effects and DaVinci Resolve. I am based in Bristol.

Get in touch!
jackwormell@gmail.com Read Less