“Anne can turn her hand to any subject and every director who’s worked with her is happy and well-supported. She brings a brilliant editorial sense to everything she tackles, finding the nub of the story. And she crafts and paces her programmes beautifully. She’s also a pleasure to work with – enthusiastic and can-do about the rushes, an...
Read More“Anne can turn her hand to any subject and every director who’s worked with her is happy and well-supported. She brings a brilliant editorial sense to everything she tackles, finding the nub of the story. And she crafts and paces her programmes beautifully. She’s also a pleasure to work with – enthusiastic and can-do about the rushes, and supportive to her directors while at the same time adaptable and open to trying things. Anne is always gracious and diplomatic and looks for solutions. She engages with the critical process constructively and gladly takes and executes notes that can improve the film. She has always finished on time and to a high spec. (Her) creative and technical aptitudes are first class. She immensely practised and experienced.Anne’s a rare editor whose weaknesses, if she has them, I haven’t yet discovered!”Sarah Feltes (Series Producer Who Do You Think You Are?)
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