“10 out of 10.” — Giles on Gogglebox, reacting to my wordplay.

I write copy that reads like someone actually meant it.
Scripts that sound like somebody’s talking, not typing.
Words with rhythm, quirk and a little heart.

I learnt to tell a whole story in one sentence as a pop columnist &mdash... Read More

“10 out of 10.” — Giles on Gogglebox, reacting to my wordplay.

I write copy that reads like someone actually meant it.
Scripts that sound like somebody’s talking, not typing.
Words with rhythm, quirk and a little heart.

I learnt to tell a whole story in one sentence as a pop columnist — training that still serves me: word-powering Roger Federer, flour-powering Red Nose Day, sneaking “smooth oscillator” into John Lewis windows, and even fighting crime with Motorola in the USA (admittedly, that consisted of typing up a script in my flat in E16).

And beyond the page? While researching an aviation graveyard documentary, I uncovered a rusting old aircraft that had appeared in Goldfinger — flown by Pussy Galore. Her cockpit cameo made the final cut. That was gold.


PORTFOLIO:  https://drive.google.com/file/d/1dE64w7PNIGOm89pyLf4wXXPKe9pB8sJH/view?usp=sharing


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