I worked with Ed on Critical Condition. He was one of only two PDs and co-shot the entire series of 4X60, often working in extremely difficult and distressing situations. His dealings with contributors was always exemplary and he remained calm and personable throughout. He should receive great credit for the distinctive shallow depth-of-field look of the series. This was achieved by shooting entirely on prime lenses. He was always fully engaged and totally committed to making the series as good as it could be. He also edited the first episode.

Michael Tuft, Exec, Series and Edit Producer