James O’Shea is an award-winning senior creative editor, vfx editor and post-production supervisor with over 15 years of extensive experience for a wide variety of high tier blue chip clients across multiple sectors such as commercial brands, technology companies, entertainment & streaming services, digital media, financial services & corporate l... Read More

James O’Shea is an award-winning senior creative editor, vfx editor and post-production supervisor with over 15 years of extensive experience for a wide variety of high tier blue chip clients across multiple sectors such as commercial brands, technology companies, entertainment & streaming services, digital media, financial services & corporate law. His credits include projects for major clients and studios such as Google, YouTube, HSBC, Samsung, Wall Street Journal, Vodafone, Netflix, Amazon Prime, Apple TV+, Disney, Warner Bros, Paramount+, NBC Universal, BBC Studios, Mars Wrigley, EY, Clifford Chance, Epic Games, Imagination Technologies, HomeServe & Laing O’Rourke.An alumnus of the University for the Creative Arts with a BA Hons degree in Film Production, James has honed his expertise across a wide range of editing and post-production disciplines, covering a multitude of commercial brand experience and policy initiative films, through to long form training and case study films, socials content, podcast interviews and seminar Q&A’s, Film & TV VFX shows, highlights packages, sizzle reels & marketing pieces, film trailer campaigns, TV spots, television promos, broadcast programming, fictional short films, documentaries, music videos and other educational & informational work, and multi-platform event and stream content creation & delivery through traditional live events spaces.He is highly proficient with the likes of Adobe Premiere Pro and Adobe's Creative Suite, Nuke Studio / Hiero, Flame, as well as historically Final Cut Pro and Avid Media Composer utilising Apple SAN servers and Avid Unity/ISIS shared storage, while his technical skills and experience extend end to end across the entire pipeline of post-production services covering DIT, file ingestion & media management, colour grading, music editing & tracklaying, sound design, sound mixing, noise reduction & filtering, subtitling, QC and conforming for delivery across multiple formats & workflows, as well as full LTO archive backup capabilities and management utilizing systems such as Storage DNA. James has a proven track record of fostering collaborative relationships with clients and colleagues, managing workflows & pipeline, and training junior staff in best practices & editorial standards. His technical knowledge spans multiple streaming and camera systems, codecs, and deliverables, making him a versatile and innovative professional in the post-production industry. Read Less