I’m a writer trained across narrative systems, not just formats.I began by studying game writing through ELVTR, where I learned how story functions under choice, constraint, and consequence. Writing for games taught me economy, player psychology, and how to build momentum when attention is fragile. That foundation still shapes everything I wr...
Read MoreI’m a writer trained across narrative systems, not just formats.I began by studying game writing through ELVTR, where I learned how story functions under choice, constraint, and consequence. Writing for games taught me economy, player psychology, and how to build momentum when attention is fragile. That foundation still shapes everything I write now.
I’m currently completing a Master’s degree in Creative Writing, where I’ve been refining voice, structure, and long-form storytelling across fiction, creative non fiction, and experimental work. University sharpened my editorial discipline. It taught me how to interrogate a piece, respond to feedback without losing instinct, and push work past “good” into something precise.
Alongside this, I’m training as a playwright through Middle Child Theatre’s working acts programme and mentorship. That space has been invaluable for learning dialogue, subtext, and character under live pressure. Theatre stripped my writing down to what survives when language has to be spoken, not just read.
My ongoing creative project, Shiver, brings all of this together. It’s a narrative universe developed across prose, interactive writing, and dramatic scenes, blending noir, mythic elements, and character-driven storytelling. Building it has taught me long-term narrative planning, tonal consistency, and how to adapt a voice across mediums without losing identity.
I’ve also worked within creative marketing environments like LemonTank, where ideas move fast and writing needs to be clear, punchy, and collaborative. That balance between creativity and function is where I’m most comfortable.Across all of this, my focus remains the same: writing that sounds human, understands its audience, and earns attention through voice rather than noise. I’m interested in work that values storytelling as a craft, not just content as output.
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