Highly experienced across a wide range of crew roles and production environments, I bring strong on-set and pre-production skills that make me a valuable asset to productions of any scale.

My on-set strengths include running the floor, managing cast and talent, coordinating departments, problem-solving under pressure, and ensuring sho... Read More

Highly experienced across a wide range of crew roles and production environments, I bring strong on-set and pre-production skills that make me a valuable asset to productions of any scale.

My on-set strengths include running the floor, managing cast and talent, coordinating departments, problem-solving under pressure, and ensuring shoots run smoothly, efficiently and safely. I have extensive experience managing crews and collaborating closely with DOPs, art departments, styling, costume, hair & makeup across both large-scale productions and smaller agency teams.

In pre-production, I’m confident with planning and managing logistics, scheduling, call sheets, crew, casting, locations, travel, catering, props, set, and wardrobe. I’m highly organised, clear in communication, and skilled at keeping multiple departments aligned with the creative brief and production priorities.

Small Shoots, Big Impact (Shortform): I have 10 years’ experience delivering a wide range of commercial and branded content — from corporate films to digital campaigns and music videos — for high-profile clients including Barbie, Hot Wheels, The Mayor of London, Marvel, Warner Bros, Very, GHD, Heathrow, TFL, Ferrovial, Drax and Caterham Cars. On these shoots, I served as the central point of contact for clients, crew and talent, overseeing creative development, planning, logistics and on-set leadership.

Big and Bold, Feature Fun (Longform): I have on-set experience on notable large-scale and feature productions including Spider-Man: Brand New Day (Marvel), The Crown (Netflix), The White Princess (STARZ), Big Mouth (C4), EastEnders (BBC) and The Investigators (ITV), giving me valuable insight into large-scale departmental workflows and the pace and structure of HETV and feature environments.

I am now expanding my work across both short-form and long-form productions and am available as a Production Coordinator and Assistant Director. I bring strong cast handling, floor management, logistical planning, client-facing communication and a calm, solutions-focused approach to every project.

Open to day calls, dailies, short bookings and longer-term contracts.