About Me

I am a production coordinator/ Junior production manager currently based in Vancouver. I am available for remote work and the majority of my 7 years television experience has been in factual/ specialist factual.My most recent role has been working as a coordinator on the COVID testing team on Sonic 2, filming in Vancouver. Prior to this I worked... Read More

I am a production coordinator/ Junior production manager currently based in Vancouver. I am available for remote work and the majority of my 7 years television experience has been in factual/ specialist factual.

My most recent role has been working as a coordinator on the COVID testing team on Sonic 2, filming in Vancouver. Prior to this I worked remotely for Dorothy Street Pictures (who are based in the UK) on a feature-doc. For this I coordinated our filming block in various locations thoroughout the US and Canada. For this we found that the time difference worked in our favour as I was able to work to US/Canada hours and be the point of contact while the UK based Line Producer was unavailable.

My last role in the UK before I moved was on the third series of Parker’s trail for the Discovery Network, for which we sent a crew of 17 people out to Papua New Guinea for a 9 week, multi-location shoot. This involved sourcing specialist equipment including underwater camera’s. In addition we had pre-season and pick up shoots in the US and the Yukon in Canada. I have also managed budgets, inputting costing and assisting the PM with the cost manager and completed monthly payroll.

I stayed on for post-production on this series and assisted with final deliverable's for 7 episodes and 3 specials looking after release forms, overseeing logging of a huge amount of footage from Bandocam’s, FS7’s, Go-Pro’s, Sony Venice, XF205 and reconciling all costs from our shoots.

I am confident with raising PO's, expenses, ordering and reconciling floats, reconciling credit cards and have used PMI on a number of productions. I have plenty of experience in organising filming both in the UK and abroad. In a previous role I worked on a 10 part series for CNBC that involved 4 VT shoots per episodes in also in various locations worldwide.

I am equally happy working in an office as I am on location and I have worked with talent on a number of locations and am very comfortable in handling them and their requirements. I also have experience in post production having cleared music and archive, backing up rushes, managing rushes logs and ingest, finding editor, sourcing archive and have completed post production paperwork using Silvermouse and the Discovery Portal. Read Less