I’m a senior offline editor with over 15 years of experience shaping premium, high-retention narrative content across broadcast documentaries, digital formats, and commercials.
From deep-dive, graphic-heavy docuseries for Netflix to rapid-turnaround current affairs for Channel 4 and Channel 5, I specialize in finding the narrative ...
Read MoreI’m a senior offline editor with over 15 years of experience shaping premium, high-retention narrative content across broadcast documentaries, digital formats, and commercials.
From deep-dive, graphic-heavy docuseries for Netflix to rapid-turnaround current affairs for Channel 4 and Channel 5, I specialize in finding the narrative hook, driving the pacing, and keeping audiences dialed in from the first 30 seconds to the final frame.
Because the lines between traditional broadcast and high-end digital are blurring faster than ever, I keep my workflow completely versatile. I’m equally fluid in Adobe Premiere Pro and Avid Media Composer, with strong After Effectsintegration for added graphical polish and motion text.
WHAT I BRING TO A TIMELINE:
- High-Retention Pacing: Expert at structuring mid-to-long form factual content that holds viewer attention spans in a crowded digital landscape.
- Rapid-Response Workflows: Proven track record of turning around high-spec, premium cuts under tight, demanding deadlines.
- Deep Archive & UGC Management: Veteran hand at weaving complex archival footage, interviews, and multi-format digital assets into a seamless, cinematic story.
- Pre-Finishing Polish: Proficient in preliminary audio design, mixing, and color grading (DaVinci Resolve) to deliver a highly polished rough cut.
Fully equipped for secure, broadcast-spec remote editing or available for hybrid/in-house blocks.
Always keen to connect with fellow producers, directors, and digital creators pushing the boundaries of modern factual storytelling.� george.sonei87@gmail.com | � www.georgesonei.co.uk
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