I am a very experienced series director and series producer, with an extensive track record in Factual Entertainment programming. I directed 7 series of ‘Top Gear’ from its re-launch show in 2002 where I helped develop the highly stylized photography that has since been so often copied. 

After ‘Top Gear&rsquo... Read More

 I am a very experienced series director and series producer, with an extensive track record in Factual Entertainment programming. I directed 7 series of ‘Top Gear’ from its re-launch show in 2002 where I helped develop the highly stylized photography that has since been so often copied. 

After ‘Top Gear’ I worked on a host of British and American television shows including ‘Holiday’, ‘What Not to Wear’, ‘Jo Frost’, ‘Biggest Loser’, ‘Fifth Gear’ and ‘Pioneer Woman’.  Between 2012 and 2015 I worked on multiple series of ‘Wheeler Dealers’ both in the UK and the US. 

In 2017 I directed an award-winning feature length documentary, ‘One More Win’, which tells the story of off-road racing legend, Rod Hall, the only man to have raced every Baja 1000 since the race began in 1967. 

Between 2019-2022 I series produced and directed ‘Vintage Voltage’, a trail blazing series for Attaboy/Discovery featuring classic cars being converted to run on electric power. Filmed on location in mid-Wales, I developed the format of the show and then oversaw the whole production, including directing all key scenes and self-shooting second camera. 

I was series director for 'Fifth Gear Recharged' for North One/Disovery in 2022, which included directing shoots across the UK, as well as in France, Italy and a 1000-mile travelogue up into the Arctic Circle in Norway.  Then in 2023 I series produced 'Dream Car Fixers' for Wiser Films/UKTV in 2023 - helping to develop this brand-new format, writing scripts and overseeing the edit.

Most recently I have been series producing car restoration series, 'Classic Car Kings', filmed on location in Barrow-in-Furness, Cumbria for Chatterbox Media/UKTV.  The series was filmed observationally over a year as real cars were restored for real clients - this was not a “produced” show. Early stages were covered by myself and a series director, both shooting, but the latter stages of the restorations have been covered single camera by me acting alone as series producer, series director and shooter (including drone and gimbal operation). Read Less