“Best observational documentary...captures our species...its best and its most brutal...in an almost unmediated way” Critics Award – (The Age) Sydney
“A remarkable documentary series” ABC reviewer - Ladyboys
“Mesmerising, beautiful story telling"  Siobhan Mulholland - Commissioning Editor
&l... Read More

“Best observational documentary...captures our species...its best and its most brutal...in an almost unmediated way” Critics Award – (The Age) Sydney
“A remarkable documentary series” ABC reviewer - Ladyboys
“Mesmerising, beautiful story telling"  Siobhan Mulholland - Commissioning Editor
“Powerhouse in the edit” Ruppert Gabriel - Executive Producer

I make award-winning observational documentary and specialise in fact ent and talent-led programming for a huge range ofbroadcasters including BBC, C5, C4, ITV, Nat Geo, Netflix, Apple TV, Discovery+ and most recently, Middle Eastern SVODS.

Character-led, compassionate storytelling is the foundation of a 20 year career in docs and formats. International hit seriesin some of the world’s toughest prisons, best airports and behind closed doors at the Australian Embassy have also beenhighlights, navigating the highest-level government access in Thailand, Australia, Singapore and Saudi Arabia and workingwith fixers and translators all over the world.

I also produce popular genres like food, travel, renovation, natural history, archaeology and culture. Working with someof the UK’s top talent together with US presenters and other global hosts, I bring an ob doc style specialism to every genre.From Charlotte Church’s renovation of Laura Ashley’s old home to teams of scientists rewilding Arabia’s leopards.

A self-shooter throughout my career, I'm also hugely experienced at leading large production teams on the ground and directingmulti-camera crews. Events are part of my skillset - from Paris Fashion Week to the high-profile AlFursan Endurance Cup(Saudi). As an Edit Director, I delivered the award-winning travel doc China’s Grand Canal: A Photographer’s Journey for NatGeo, as a Series Edit Producer - almost 100 hours of programming, working to budgets of £1.3 million per episode and fastturnaround shoestrings too. Read Less