I am a confident and adaptable Shooting AP / Producer with a great nose for a story; a knack for producing creative and compelling content with limited budgets; and an ability to think on my feet and juggle responsibilities on location.

I have experience stepping up to produce, direct, and edit produce 30-minute shows, so I am... Read More

I am a confident and adaptable Shooting AP / Producer with a great nose for a story; a knack for producing creative and compelling content with limited budgets; and an ability to think on my feet and juggle responsibilities on location.

I have experience stepping up to produce, direct, and edit produce 30-minute shows, so I am seeking roles with similar opportunities to step up as I transition from AP to PD. I have a background in physics so I am very comfortable working on science-related productions, but I also have wide-ranging experience across specialist factual. I have worked on several series from pre- to post-production, including archive-driven, actuality-driven, magazine, and studio-based shows.

I also have extensive experience working in development teams and on major funded development projects, including two successful commissions.

I have demonstrable experience in shooting first and second camera on location (UK and international) with Sony FX6 and FS7 cameras and DSLR, directing small crews, finding exciting stories, writing scripts, edit producing, editing, liaising with high-profile and sensitive contributors, working with talent, producing development sizzle reels and decks, development research, archive research, animation, and fact-checking.

I also have a full clean driving licence and an enhanced DBS check. Read Less