I am currently working on an 8-part docuseries and spent the early part of 2024 covering PEs on holiday or budgeting on a part-time basis across various companies, including ITN Productions, Monkey Kingdom, CPL Productions, Two Four, Bolla Media Ltd, Box to Box Films Ltd, and Yes Yes Media Ltd.
With a broad background across multiple gen...
Read MoreI am currently working on an 8-part docuseries and spent the early part of 2024 covering PEs on holiday or budgeting on a part-time basis across various companies, including ITN Productions, Monkey Kingdom, CPL Productions, Two Four, Bolla Media Ltd, Box to Box Films Ltd, and Yes Yes Media Ltd.
With a broad background across multiple genres, I have worked on a wide range of programming, including recent credits such as The Sidemen Story, Million Dollar Island, Dated and Related, BBC One's Morning Live, The One Show, Harry's Heroes, Food Stars (initial non-TX pilot with Gordon Ramsay), Treasure Island with Bear Grylls, Heist, Hunted, Celeb Hunted, and 24 Hours in A&E, to name a few.
My extensive experience has seen me budget, set up, and oversee large-scale series, managing both single and multi-camera shoots, including rigs on location and in studio. I have also filmed across Europe, the US, and Central America, handling complex setups in diverse environments.
I have run fast-turnaround series as a Line Producer, including The Only Way Is Essex (TOWIE), where I managed the production of three series a year plus a Christmas special, each consisting of 12 x 1-hour episodes. These series were produced, shot, edited, and TX’d within a six-week period. This experience led me to work on the complex factual entertainment series Hunted, which involves extensive protocols and a wide range of production teams—around 300 people across editorial and production. Additionally, my work on a survival series with Bear Grylls gave me a solid foundation in risk management and health and safety protocols, especially when working in remote locations with specialised trauma teams.
I’m known for being the conduit between editorial and production, ensuring smooth collaboration and a cohesive workflow. I am highly skilled in Excel/PMI/Movie Magic, and I have honed my abilities in budgeting, forecasting, and managing large, complex budgets. My focus is always on anticipating potential issues, ensuring accurate financial planning, and making appropriate contingency plans.
In my recent role as a PE, I have worked closely with Creative Directors, Heads of Production, and Directors of Production, managing vast budgets and overseeing day-to-day operations to keep everything on track.
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