Series / Edit Producer
***UNAVAILABLE IN 2022***I'm a Glasgow & London based Senior / Series / Edit Producer with BBC1, 2 & Three, ITV, Channel 4, FIVE, UKTV and Discovery credits in long / short form docs, ob doc, rig, consumer, fact ent and children's as well as extensive digital and branded experience.My SP roles have involved managing small team... Read More
***UNAVAILABLE IN 2022***
I'm a Glasgow & London based Senior / Series / Edit Producer with BBC1, 2 & Three, ITV, Channel 4, FIVE, UKTV and Discovery credits in long / short form docs, ob doc, rig, consumer, fact ent and children's as well as extensive digital and branded experience.
My SP roles have involved managing small teams of PDs and APs for linear and digital productions in the UK and abroad. I'm a proven problem-solver; skilled at securing and managing complex access and dealing with vulnerable contributors, tenacious in my approach when fulfilling difficult casting/location briefs, and able to deliver to tight budgets and schedules, all with an excellent working knowledge of legal and compliance protocols.
With a particular speciality in sensitive access, I'm proud to have achieved record viewing figures and audience engagement as the SP of BBC Three's Amazing Humans strand, exploring topics including self harm, cancer, and altruistic organ donation.
I've EPd over three hundred short form docs for online platforms as well as half hours and hours for the major broadcasters including Escape to the Chateau, Jimmy's Farm, Supershoppers and Location, Location, Location for Channel 4, the fast-moving daytime juggernaut that is Antiques Road Trip for BBC One, and ob doc series Inside the Vets for W. I've also been integral in setting the style and tone for first series; in the past year alone I've EPd the first episodes of BBC 1's upcoming Kelvin's Big Farming Adventure for prime-time BBC 1 and Channel 4's hugely successful celebrity travelogue Miriam and Alan: Lost in Scotland.
As an Edit Producer, I am able to run multiple edits, am quick to identify the best sync, stories and structure and relish the opportunity to inject humour into my writing.
In addition, I have worked as a Producer on a number of branded projects; from location finding to casting, scripting and overseeing the edit.
I'm fully set up for remote working if required and would also consider international roles.
Chloe Browne 07776 250611 / firstname.lastname@example.org Read Less
|Course / Qualification||Training Provider / Institution||Year|
|i-act Managing & Promoting Positive Mental Health & Wellbeing / i-act / 2021|
|i-act Managing & Promoting Positive Mental Health & Wellbeing||i-act||2021|
|Production Safety Passport (Certification Code YEVRGIE) / BBC / 2021|
|Production Safety Passport (Certification Code YEVRGIE)||BBC||2021|
|2013 Data Protection / BBC / 2016|
|2013 Data Protection||BBC||2016|
|2015 Fair Trading / BBC / 2016|
|2015 Fair Trading||BBC||2016|
|2014 Production Safety / BBC / 2016|
|2014 Production Safety||BBC||2016|
|News Assignment Location Safety / BBC / 2016|
|News Assignment Location Safety||BBC||2016|
|2015 Media Law / BBC / 2016|
|2015 Media Law||BBC||2016|
|2014 Anti-Bribery / BBC / 2016|
|2015 Working With Children / BBC / 2016|
|2015 Working With Children||BBC||2016|
|Editorial Standards: Fairness, Contributors and Consent / BBC / 2016|
|Editorial Standards: Fairness, Contributors and Consent||BBC||2016|
|Editorial Standards: Accuracy - Gathering Material / BBC / 2016|
|Editorial Standards: Accuracy - Gathering Material||BBC||2016|
|Editorial Standards: Accuracy - Finding and Verifying Contributors / BBC / 2016|
|Editorial Standards: Accuracy - Finding and Verifying Contributors||BBC||2016|
|Editorial Standards: Conflicts of Interest / BBC / 2016|
|Editorial Standards: Conflicts of Interest||BBC||2016|
|Editorial Standards: Impartiality / BBC / 2016|
|Editorial Standards: Impartiality||BBC||2016|
|Editorial Standards: Privacy - Privacy and Consent / BBC / 2016|
|Editorial Standards: Privacy - Privacy and Consent||BBC||2016|
|Editorial Standards: Privacy - Reporting Death, Suffering and Distress / BBC / 2016|
|Editorial Standards: Privacy - Reporting Death, Suffering and Distress||BBC||2016|
|Editorial Standards: Privacy - Secret Recording / BBC / 2016|
|Editorial Standards: Privacy - Secret Recording||BBC||2016|
|Editorial Standards: Harm and Offence - Violence in News and Factual Programmes / BBC / 2016|
|Editorial Standards: Harm and Offence - Violence in News and Factual Programmes||BBC||2016|
Chloe is fastidious and experienced. Adept at getting the best out of any story in the edit, in the field or on paper. She is a strong communicator and good writer, and always ready to move on to the next big challenge. I would happily work with her again.
Chloe is very thorough and efficient. She sticks to a brief and delivers. She is great at dealing with sensitive contributors and has a good sense of who will make the cut. A real self starter and a very positive and happy force to have in the office. I rate her very highly.
Chloe is tenacious and organised. She's good at keeping me informed about how the casting was going and was methodical and comprehensive in her approach. She can spot strong characters and has good instincts.
Chloe joined us three months ago as maternity cover for our Assistant Producer on The One Show. She has done a terrific job in that time and has already set up two shoots which have been completed with a further two to follow rapidly. Chloe has a great nose for a story and is dogged in her pursuit of potential interviewees. "No" is not a word which exists in her vocabulary. She is utterly reliable with a great attention to detail as well as the bigger picture. She also writes like a dream. Chloe is a very popular member of the CTVC team. I can unreservedly recommend her.
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Media I Work In:
Locations I can work in:
Heath And Safety Training
Content Management Systems
Single Camera Directing
Fixed Rig Experience
Broadcast Digital Awards 2017 Nomination Best Online Non-Scripted Short 'Amazing Humans'<br /> <br /> BAFTA shortlist 'Prove It!' Best Children's Factual Programme<br /> <br /> BAFTA award 'Casualty' Best Continuing Drama