As a Production Coordinator, I've managed complex, high-stakes logistics across the globe, often in challenging and fast-moving environments.

During my time at Wild Space/Netflix, I coordinated a ten-person dive shoot in Tanzania, with crew travelling from five countries, handling everything from international logistics to importing Sof... Read More

As a Production Coordinator, I've managed complex, high-stakes logistics across the globe, often in challenging and fast-moving environments.

During my time at Wild Space/Netflix, I coordinated a ten-person dive shoot in Tanzania, with crew travelling from five countries, handling everything from international logistics to importing Sofnolime and sourcing oxygen - even joining the shoot to oversee operations on the ground (one of my proudest achievements!) In Utah, I navigated eight separate filming permissions across multiple national park jurisdictions and landowners to deliver a successful ATV shoot on the Salt Flats, and I have also set up a helicopter and Shotover aerial shoot in Kenya.

I thrive on reactive shoots too - during my time on this year's Earthshot Prize, when a snorkel shoot in Lundy was scuppered by the Great British weather, I secured permissions and turned around a kayak shoot on the River Avon within 24 hours. Across the series, and with only one other PC, I helped to spearhead 14 international shoots over eight weeks, strategically scheduling to reduce travel - saving over 91 tonnes of carbon emissions and £37,000 (which Albert is very happy about indeed!)

When working with such high-stakes elements, I pride myself on being meticulous when it comes to insurance, safety, and legal requirements. In addition, I have extensive experience with post-production workflows for Netflix, from managing deliverables and EDLs to compiling music cue sheets and final credits.
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