Creative story-teller adept at Editing & Motion GFX primarily using Adobe Premiere & After Effects with multiple credits for the BBC, ITN, Channels 4 & 5 as well as a frequent collaborator with some of the world’s largest brands, broadcasters & sports events such as:

FIFA Men’s & Women's World Cups &rsq... Read More

Creative story-teller adept at Editing & Motion GFX primarily using Adobe Premiere & After Effects with multiple credits for the BBC, ITN, Channels 4 & 5 as well as a frequent collaborator with some of the world’s largest brands, broadcasters & sports events such as:

FIFA Men’s & Women's World Cups ’23 & ’26; Paralympics 2024; US Open 21-23; Amazon; Netflix; NVIDIA & Verizon

Frequently working across short form social media I'm able to turn my hand to the differing editorial styles of various platforms with a keen eye on keeping up to date with the latest tools and innovations while avoiding chasing trends. I can create informative ads & GFX, Sports highlights & hype videos, Interview & documentary content ensuring speed, professionalism, & reliability across the process.Reliable and organised professional equipped with remote edit suite set-up as well as easy commuting around London and the M25 for office or event productions.

Prior to Freelancing I was the Head of Post-Production of a now defunct podcast channel London Real managing 4 full-time editors, studio ops and director. Through revising existing scheduling & planning I increased views to 20m a month and gained 900k subscribers by doubling weekly content (episodes, clips, trailers and stills) from March 2019-March 2020 with only one additional full-time hire to the inherited team.

Prior to this I was the Head of Production at Resource Productions. I helped develop the company from solely creating youth orientated content to being regular producers of short fictional and factual content for the BBC and Channel 4. Throughout my time there I mentored, taught and managed 100s of young people through work experience & placements, apprenticeships as well as BAFTA and the BFI on their respective young-person orientated film initiatives teaching and then going onto produce some of their first short films for the BBC and Channel 4.

Government funded mentoring by Editor Mick Audsley (High Fidelity & Harry Potter & The Goblet of Fire) - 2017-2019

Hardware (Home Edit Suite Set-Up/Laptop Specifications):

57” Curved Samsung Monitor; 16” Apple M4 Max Mac-book Pro, 16‑core CPU, 40‑core GPU and 16‑core Neural Engine; 2TB SSD; 128GB RAM; Editor-Keys Premiere & AVID Key-boards

Software, AI, Stock Image & Clip Archive Platform Proficiencies:

Adobe Premiere, After Effects, Photoshop, Media Encoder; Da Vinci Resolve; FIFA Archive/Via Importer; IMG Replay; EuroSport VMC; BlackBird; MIRMIR; Clipro/AVGEN; GrabYo; Lucid Link; Getty Images; Shutterstock; Aspera; Egnyte; Eleven Labs; MidJourney.