I believe all experiences are an opportunity for learning - no two projects are the same, and each comes with its own unique challenges. I have always wanted to tell stories. My early career was incredibly varied as I tried to find my place in the film industry. But it was in corporate media, particularly editing content for Rolex, where I discover... Read More

I believe all experiences are an opportunity for learning - no two projects are the same, and each comes with its own unique challenges. I have always wanted to tell stories. My early career was incredibly varied as I tried to find my place in the film industry. But it was in corporate media, particularly editing content for Rolex, where I discovered my love of crafting clear visual narratives from historic archive material. This passion and my attention to detail put me in good stead when I was selected as Assistant Editor on Netflix’s America Murder: The Family Next Door – my first step into the world of documentaries.

Since then, I have worked with the very best in the documentary field on numerous award-winning productions, including The Greatest Night in Pop, Beckham and my first full Editor role, where I solo cut for the first 15 weeks of the edit of Emmy nominated A Deadly American Marriage. I have worked with the most established and cutting-edge broadcasters in the field, like Netflix and the BBC, as well as on radical independent productions pushing the boundaries of documentaries. And, of course, from each production I continue to learn and refine my craft as a storyteller. Read Less